Hear why SF Classical Voice says BARS' "earnestness in music-making is truly a breath of fresh air in the classical music scene." (Rebecca Liao, SFCV)

Part of the BARS LGBTQ Composer & Performing Artist seriesPart of BARS' LGBTQ Composer and Performing Artist Series, which strives to redefine perceptions of LGBTQ music and increase awareness of the beauty, talents, and accomplishments of fellow LGBTQ individuals and groups.

All BARS Symphony Orchestra events conducted by Daniel Canosa, Artistic Director, unless noted otherwise.

Special FREE Concert: Sextets & a Septet

Chamber Music of Dohnanyi, Ireland, & Stravinsky


Rainbow Chamber Players

Saturday, September 18, 2010, 8pm

SF Community Music Center, 544 Capp St at 20th, SF 94110 (Map)

Parking: Capp at 19th, $15.


Presented by BARS Rainbow Chamber Players, featuring BARS musicians Thomas Alexander, Russ Bartoli, Michael Cook, Tom Hill, Mark Hodgson, Don Hubert, Jeff Johnson & Gene Nakajima



Pre-concert, no host coffee/dinner: Crepe House, 1132 Valencia at 22nd after 6:30pm (Map). Reception immediately following performance.

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September 25, 2010, 8pm

San Francisco Conservatory of Music, 50 Oak St at Van Ness, SF 94102 (Map) | Tickets


Daniel Glover, piano

Daniel Glover, piano


Part of the BARS LGBTQ Composer & Performing Artist seriesTchaikovsky – Piano Concerto no. 1 in B-flat minor, op. 23

Part of the BARS LGBTQ Composer & Performing Artist seriesDaniel Glover, Piano


Rimsky-Korsokov – Scheherazade, op. 35

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November 20, 2010, 8pm

First Unitarian Universalist Church, 1187 Franklin St at Geary, SF 94109 (Map) | Tickets


Brian Thorsett, tenor

Brian Thorsett, tenor

Pärt – Cantus in Memory of Benjamin Britten


Part of the BARS LGBTQ Composer & Performing Artist seriesBritten – Serenade for Tenor, Horn, and Strings, op. 31

Brian Thorsett, tenor

Rachel Harvey, horn


Dvorak – Serenade for Wind Instruments in D minor, Op. 44 (B. 77)


Part of the BARS LGBTQ Composer & Performing Artist seriesCopland – Appalachian Spring

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March 26, 2011, 8pm

San Francisco Conservatory of Music, 50 Oak St at Van Ness, SF 94102 (Map) | Tickets


Bettina Mussumeli, violin

Bettina Mussumeli, violin


Part of the BARS LGBTQ Composer & Performing Artist seriesBarber – Violin Concerto, op. 14

Part of the BARS LGBTQ Composer & Performing Artist seriesBettina Mussumeli, violin


Part of the BARS LGBTQ Composer & Performing Artist seriesTchaikovsky – Symphony no. 5 in E minor, op. 64

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June 4, 2011, 8pm

San Francisco Conservatory of Music, 50 Oak St at Van Ness, SF 94102 (Map) | Tickets


Jon Mendle, guitar

Jon Mendle, guitar

Marquez – Danzon no. 2


Villa Lobos – Guitar Concerto

Jon Mendle, guitar


Part of the BARS LGBTQ Composer & Performing Artist seriesFalla – El sombrero de tres picos (Three Cornered Hat) suite no. 2


Part of the BARS LGBTQ Composer & Performing Artist seriesRavel – Bolero

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Daniel Canosa, Artistic Director

Daniel Canosa | Artistic Director

With a repertoire of symphonic and choral masterworks of all periods, Argentina-born conductor Daniel Canosa, considered one of the best of his generation, has lead orchestras and choruses in Argentina, the United States, and Europe. In Buenos Aires, he founded and directed the highly-praised Conjunto Egmont. In California since 1990, Mr. Canosa has conducted the Apollo Orchestra, Auburn Symphony Orchestra, and Camilla Symphony Orchestra, among others. In 2001, his all-Beethoven program with the Auburn Symphony received recognition: “Pluck is what it takes to tackle Beethoven… Canosa’s careful conducting shepherded the orchestra in the right directions… [and] proved commanding [in] Symphony No. 7, landing its attacks, severe cutoffs, and varied dynamics like a gymnast in fine form.” (Patricia Beach Smith, Sacramento Bee.)

In 1996 Canosa deepened his involvement with period-instrument ensembles as music director of the Nieuw Amsterdam Barokorkest en Koor, touring extensively in The Netherlands, Belgium, and Germany. On his return to California, he founded the well-received Apollo Baroque Orchestra, a first for the Sierra Foothills, and in Sacramento, the Camerata California. Canosa’s research into ancient music of classical Greece informed his original musical scores for the Greek dramas Alcestis, Philoctetes, and Iphigeia in Tauris, performed by Apollo Theater.

Canosa studied composition and orchestral conducting at the Argentine Catholic University and the Universidad Nacional de La Plata. He studied Baroque repertoire under Argentine maestro Sergio Siminovich in Buenos Aires and conductor Nicholas McGegan in Berkeley, California. His formation includes courses at the Mozarteum Conservatory in Salzburg, and in Munich and Paris with the legendary Sergiu Celibidache, music director of the Munich Philharmonic. An extended biographical reference to him appears in the book Careers in the Music Industry, Career Role Models for Young Adults (Mitchell Lane, publishers).

Daniel Canosa is the first Artistic Director of Bay Area Rainbow Symphony.